Earlier this week, a few little birdies spoke with /Film about Warner Bros. standalone superhero film The Batman being rewritten completely from scratch. According to the site’s sources, the studio has chosen to start all over again with input from director Matt Reeves; additional sources also noted that Reeves wouldn’t even meet with prospective cast members until sometime this summer. This came on the heels of comments from a Variety reporter that Reeves is still under contract for War for the Planet of the Apes through the end of June, meaning The Batman was unlikely to even enter production until 2018.
With Sony being uncharacteristically quiet when it comes to The Dark Tower movie, fans have learned to take any new marketing material with a grain of salt. So when a fantastic new poster for the film found its way online last night, people who would normally be ecstatic about a new look at the upcoming release hesitated. Was this an official release from Sony or another piece of fan art masquerading as the real thing?
For franchise movie fans, nothing grates on the nerves quite like the lull between the day production wraps on a new movie and the day the first teaser drops. Production has been finished on Star Wars: The Last Jedi for a few months now, and since we’re not quite sure when Disney will be releasing the first trailer for the film, we’re latching onto any piece of information we can get about the new film or any new Star Wars content, period. In short, we’re in the business of reading too much into Mark Hamill’s Twitter account.
If the first batch of trailers and clips have shown us anything, it’s that Guardians of the Galaxy Vol. 2 is going to be Drax show. Dave Bautista famously cried when he was told that he would be playing Drax in Marvel’s new franchise; the direct-to-video market is littered with the work of former professional wrestlers who tried their hand at becoming action stars, and playing Drax meant that Bautista would escape the same outcome of some of his peers. As a result, Bautista poured his heart and soul into this character. It definitely shows.
It’s probably time to admit that we take Ridley Scott’s films more seriously than Scott himself. While we argue over cinematic universes, director’s cuts, and unnecessary sequels, Scott is out there having a good time making whatever movies pop into his mind at any given moment. Sometimes that means promising another half-dozen Alien movies before his newest one has even been released. Sometimes that means producing a Blade Runner sequel that few people wanted. And sometimes, just sometimes, it means bringing back a Roman warrior from the literal dead.
While the giant ape in Kong: Skull Island may not climb any New York skyscrapers this time around, he certainly did climb the box office charts. The latest Warner Bros. monster movie shot all the way to the top spot in its opening weekend, with Logan and the surprising hit Get Out both shifting one spot down to accommodate him.
With all eyes on the next entry in the DC Cinematic Universe, it’s hard to say what is under more pressure: Wonder Woman, the World War II-era superhero and savior of the modern world, or Wonder Woman, the first female-directed movie in the modern blockbuster era and a stab at social relevance for the beleaguered executives at Warner Bros. The first Wonder Woman trailer that debuted at Comic-Con hit all the right notes for an exciting and female-driven superhero movie; would additional trailers walk back that promise or deliver more of the same?
With Hugh Jackman’s Logan opening in theaters this weekend, the top spot of this list was never in doubt. The questions were always whether audiences would respond well to the first major R-rated superhero movie. Was the big opening of Deadpool an abberation or a sign of things to come? If today’s numbers are any indication, the answer is, maybe a little bit of both.
As people weigh in on the popularity of Marvel and DC movies, they sometimes neglect to mention the opportunities these films create for non-superhero comic books. For every Logan, there’s a handful of smaller titles — movies like American Splendor, Ghost World, and Scott Pilgrim — that benefit from the overall popularity of the medium. Ryan Gosling, for example, recently signed on to produce a film adaptation of independent graphic novel The Underwater Welder, a melancholy story of fatherhood and mortality. Any filmmaker or actor seeking out their next comic book movie need only spend a few hours at their local library branch to see the full scope of the medium.
While losing Anton Yelchin was a sad day for any number of reasons, here’s one more: several years after Yelchin worked with filmmaker David Karlak to produce the independent science-fiction short Rise, the film has finally been picked up by a studio to turn into a feature. According to The Hollywood Reporter (via iO9), Warner Bros. has recently signed on to adapt the popular science-fiction short Rise into a feature film. What should have been a celebrated accomplishment for both director and star is now somewhat tempered by the sadness of his passing.
In a piece of news bound to make you say, “Wait, is this still a thing?”, it looks like we’ll still be getting that Terminator 2 3D conversion after all. Scroll back through our archives and you’ll find our very first mention of the Terminator 2 re-release in December of 2015. Back then, word was that James Cameron and company would time the theatrical re-release of the film to its 25th anniversary on July 3. For one reason or another, though, the studio missed that window, and thousands of people around the world were only able to relive their love of the Terminator franchise in the same boring two dimensions they’d always had. Sad.
Isn’t it just like Ryan Reynolds to upstage a colleague? After listening to critics sing the praises of Logan for the past few weeks, fans around the country took their seats on Friday night ready to watch Hugh Jackman strap on his metal claws one last time. And so it came as quite a surprise when the first superhero to appear onscreen wasn’t Wolverine but Deadpool, everyone’s favorite violent and profane superhero — and, if we’re being honest with each other, the entire reason an R-rated Wolverine movie was greenlit by 20th Century Fox.
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