You really never know what you’re going to get from Axl Rose in an interview, and it seems pretty clear that he isn’t exactly eager to discuss the possibility of reuniting the original Guns N’ Roses lineup for a performance at the Rock and Roll Hall of Fame induction ceremony next year.
Before Rooney Mara landed the lead in David Fincher’s ‘The Girl with the Dragon Tattoo,’ a long list of actresses were rumored for the part, including Ellen Page, Natalie Portman, Emma Watson and Scarlett Johansson.
According to Fincher, it was Scarlett who came closest to winning the coveted role of vengeance-seeking vigilante Lisbeth Salander — but in the end, she was just too darn sexy.
After an extended hiatus, ’90s alterna-pop hitmakers Garbage are planning to return in 2012 with new music — a bunch of it, in fact.
The band is currently in the studio putting the finishing touches on what will be their fifth studio album, and first since 2005′s ‘Bleed Like Me.’ The 12-song collection, planned for a spring release, will reportedly include a bonus disc of 12 B-side tracks.
Downloading, both legal and illegal, has taken a lot of the blame for the sales collapse suffered by the music industry over the last decade and change. But not every artist has a horror story to tell regarding mp3s and filesharing technology.
Just ask Mark Foster, frontman for fast-rising rockers Foster the People, whose inescapable hit single ‘Pumped Up Kicks’ started out as a free download on the band’s website.
The Rock and Roll Hall of Fame has mailed out the ballots for its 27th annual list of potential inductees, leaving it to the organization’s 500 voters to pick the winners from an eclectic group that includes first-time nominees as well as returning contenders.
Newly eligible artists who made this year’s cut include Joan Jett and the Blackhearts, Guns N’ Roses, Heart, and Eric B. & Rakim, while the Beastie Boys, Donna Summer, and the Red Hot Chili Peppers are among the veteran hopefuls.
Last month, Radiohead drummer Phil Selway told reporters that the band’s surprise set at this year’s Glastonbury festival had reawakened their enthusiasm for performing live. It looks like he really meant what he said.
For fans of Van Halen‘s original lineup, the band’s last three decades or so have been punctuated with more than a few frustrations and disappointments, including their brief reunion with David Lee Roth in 1996, bassist Michael Anthony’s rudely handled dismissal, and an overall lack of new music since a pair of new tracks were appended to the double-disc ‘Best of Both Worlds’ compilation way back in 2004.
Roth has been back in the band since 2006, with rumors of a new album persistently surfacing over the last five years. The buzz has grown louder than ever this year, and for awhile, it looked like this might finally be the year Van Halen came back — but it looks like we’ll have to keep on waiting.
It might say 2011 on your calendar, but this fall, it’s 1991 all over again, what with deluxe reissues of 20-year-old albums from bands including U2, Spin Doctors, and Pearl Jam, whose landmark debut ‘Ten’ was the inspiration for a new documentary from none other than ‘Singles’ and ‘Jerry Maguire’ director Cameron Crowe.
The film, titled ‘Pearl Jam Twenty,’ is getting a hefty double-disc soundtrack that includes live tracks, demos, and assorted rarities from Pearl Jam’s vaults — and although it doesn’t come out until September 20, you can listen to the whole thing now.
Rage Against the Machine fans wondering where the band fits in with Tom Morello’s recent flurry of activity with the upcoming Justice Tour, as well as his solo project, the Nightwatchman, now have their answer.
Faithful maggots who have been pining away for new Slipknot since the release of ‘All Hope Is Gone’ way back in 2008 are going to have to keep waiting for awhile, because the band has no plans to record.
Being proudly provocative has always been part of rock ‘n’ roll — from the music’s earliest days, when simply shaking one’s hips on television was enough to send middle-aged Americans into a righteous lather, the formula for some of the best rock has been one part rhythm, one part volume, and one part shock.
This has also been true for album covers, which some of rock’s most forward-thinking performers have used as a platform to shock, disturb, annoy, and generate thought-provoking conversation (although not necessarily in that order). It’s a long rock ‘n’ roll tradition — one celebrated with a new list over at Ultimate Classic Rock.
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