With Star Wars: The Force Awakens less than a month away from release and anticipation reaching a feverish level unseen in movie fans since 1999, the timing is right for SNL to gently skewer the upcoming sequel. The sketch is really just an excuse for the cast to break out a bunch of impersonations they’ve obviously been keeping in their back pockets while letting them interact with actual Star Wars cast members, but c’mon, that’s all the excuse you need, really.
It was actually a pretty solid weekend at the box office for movies that weren’t brand new. If your movie was playing in its second, third, or even fourth week, you were fine. If your movie was a new release, you were in for a rough couple of days. While the The Martian, Goosebumps, and more showcased impressive legs, a huge batch of other movies faltered this weekend. At least five major releases fell flat on their faces.
Pan has had disaster written all over it for the better part of a year now, so it’s not surprising that Joe Wright’s Peter Pan origin story stumbled in its opening weekend. However, no one was prepared for it to stumble as badly as it did as it ran face-first into The Martian and Hotel Transylvania 2.
Alex Trebek is a cultural institution, a beacon of knowledge and grace under pressure. Everyone loves him. Which is why it’s always amusing to watch the unflappable host of Jeopardy say silly words and phrases in that reliable deadpan of his. A recent episode of the immortal game show saw him forced to say the name “Turd Ferguson,” which should amuse anyone with a passing knowledge of modern comedy.
After September opened with a whimper, we were prepared for a dull couple of weeks. It looks like we shouldn’t have been so quick to judge. The one-two punch of The Perfect Guy and The Visit have suddenly made the least interesting month of the year interesting, opening big and opening close enough to one another to make for an interesting race. In the slower movie months, weekends like these are rare treats.
Summer is officially over, September is here, and the movies stink. While the big releases and heavy-hitters of the fall movie season make the festival rounds or rev up their marketing campaigns, audiences have to tough it out and wade through a lot of not-so-good movies. Welcome to September. It’s like this every year. Get ready for an excruciating month at the movies and at the box office.
There’s one reason and one reason only why we’re getting a Ghostbusters remake in 2016 instead of an actual Ghostbusters 3 five years ago. That reason is named Bill Murray and he’s been the not-so-secret sequel roadblock for as long as we can remember. But then he accepted a small role in the new reboot, because he’s Bill Murray and Bill Murray does whatever he wants. Sometimes that means randomly showing up at your birthday party. Sometimes that means popping up in a film franchise that he seemingly had zero desire to revisit. Now, Murray explains his reasons for joining a new Ghostbusters movie he was so vocally against.
We’ve known for a long time that Star Wars: The Force Awakens would screen in IMAX theaters because director J.J. Abrams filmed one key sequence with IMAX cameras. But now, we’ve learned the full extent of Disney and Lucasfilm’s plans for large format presentation and it’s exactly what you’d expect from a studio that has the most popular movie franchise on the planet and the power to do whatever it wants with it. The new Star Wars movie has booked pretty much every IMAX screen in the world for four weeks. Everyone with the desire to see this movie on the biggest movie screens in the world now has plenty of time to do so.
The original The Karate Kid is one of those seemingly untouchable slices of ‘80s nostalgia. Everyone above a certain age has a soft spot for it. It has effortlessly merged with general pop culture, with characters like Mr. Miyagi and lines like “Wax on, wax off” existing outside of the film that created them. It’s a touchstone … but what if it’s a touchstone that we have been misunderstanding for the past 31 years? What if Ralph Macchio’s Daniel isn’t the hero of the film, but actually – dun dun DUN – the real bad guy?
Straight Outta Compton dominated the box office for the second weekend in a row, ensuring that every other movie in the top 10 that doesn’t feature Tom Cruise trembled in its mighty wake. Anyone with their finger on the cultural pulse foresaw the N.W.A. biopic doing well, but it’s performing above and beyond all expectations.
At the time of this writing, early estimates for the weekend box office have Ant-Man edging out Pixels for the top spot in this week’s top 10. That could change. With less than $1 million separating the films, Pixels may very well slide into first place tomorrow, winning one very close competition. But even if it does claim ultimate victory, it doesn’t change the fact that Pixels’ opening weekend is a massive disappointment and another nail in the coffin of Adam Sandler’s career.
It would be easy to label the opening weekend for Ant-Man a failure. After all, it’s significantly lower than the openings for recent Marvel Studios movies and it’s a good $130 million less than the three-day opening Avengers: Age of Ultron had a few months ago. But let’s not be so hasty. Its opening numbers may not have blown anyone away, but Ant-Man’s box office arrival is textbook Marvel.
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